“Torture porn” is a lazy journalistic
media label for the resurgence of splatter films in the mid-00s due to the
phenomenal commercial success of the hit and miss Saw franchise (2004 - 2010)
and Eli Roth’s solid duology of ‘Hostel’ (2005) and ‘Hostel Part II’ (2007). A
whole load of imitators followed milking the cash from the cow that were often
third-rate efforts such as the God-awful ‘Captivity’ (2007) but also included
more decent fare like ‘Turistas’ (2006) that exploited this type of horror entailing prolonged
violent sequences taken to the extreme. Explicitly depicted in these scenes are
sadistic torturous mutilation supplemented by a fair amount of female nudity
thrown in over the duration of the movies’ running times.
Wednesday, 16 May 2012
Friday, 11 May 2012
Madison County (2011)
Every
so often a modern slasher will come along that promises to hark back to the
early 80s heyday of the sub-genre and deliver the gruesome goods while not
pretending to be anything more that it sets out to be. Independent production
‘Madison County’ is one such effort that does not strive to be anything
different other than trying to introduce a new horror icon to the genre and
simply tries in homage to replicate this era. An era of cinematic terror that’s
main goal was to shock its viewers with its exploitation showcasing of gorily
horrific and creative murder set-pieces along with generous doses of naked
female flesh injected into the sure fire box office winning formula. These
films were largely and purely geek shows for an audience that lapped it all up
with much glee as they watched young attractive people getting cut up for their
own pleasure.
Wednesday, 9 May 2012
The Wicker Tree (2011)
Robin Hardy’s ‘The Wicker Tree’ a spiritual
companion piece to the director’s own occult horror ‘The Wicker Man’ (1973) has
been severely maligned since its festivals debut last year. To be fair to Hardy
I do not think he ever attempted to try to top his much-celebrated previous
work as I think he knew he could never achieve such a feat especially after a
stonking near forty years gap. It is a far less dark, edgy and gritty affair
being an updated black comedy version of the themes presented in the original
film that borders on parody wrapped up in a very similar narrative.
Monday, 30 April 2012
Evil Dead Trap (1988)
I first came across ‘Evil Dead Trap’ back in
2010 while I was researching Sam Raimi’s soon to be remade seminal classic ‘The
Evil Dead’. This was in preparation for the writing of The Evil Dead (1981): Video Nasties, Misspent Youth and the Ultimate Experience in Grueling Horror.
Some of you who have yet to see this Japanese production may have crossed paths
with it too when conducting searches for the celebrated American franchise as
it comes up on nearly all of them on IMDB. Digging in deeper, I became
quite intrigued with this Asian homage to the Western horror sub-genre of the
slasher done in the Italian giallo style, as this was not something I had seen
before in Japan cinema and being the nostalgic sucker I am for all things hack n’
slash I knew I had to check it out. That first viewing two years ago was a
disappointing let down and watching it again just very recently only reaffirms
my opinion.
Tuesday, 24 April 2012
Assassins (2011) - A Short Film by Michael Bonomo
Since the official launch of Cinematic Shocks
last February, you regular readers would have noticed the page Help Raise Money for Michael Bonomo’s Feature Film Debut - Assassins. The soon to be
produced independent movie started life as Bonomo’s eighth short film and is
his sixth to be released. Just put up online for public viewing very recently
on the 22nd April, ‘Assassins’ has been met with critical acclaim
since doing the rounds on the festival circuit last year.
Friday, 20 April 2012
Mother’s Day (2010)
Lloyd Kaufman’s 1980 Troma production of his
brother Charles’ original ‘Mother’s Day’ was not scary in the slightest. This
rape and revenge film was a hilariously crazy over the top cheesfest with wacky
characterization and in your face social sub-text that has garnered a strong
cult following within the horror/exploitation community for those very reasons.
Finally getting a US Blu-ray/DVD release this year on the 8th May
after several delays Brett Ratner’s 2010 production of Darren Lynn Bousman’s
pseudo-remake takes basic elements from its source material for nodding
references in homage minus the rape. It is a complete reimagining with entirely
different plot and characters turning the premise into a brutally intense home
invasion thriller.
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